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Email Copy Link Copied A very long time ago, the Chinese royalty and aristocracy savored their precious tea in tiny jade cups. This material is known as porcelain. Also known as the white gold, porcelain is obtained from a fine clay called kaolin. Often referred to as simply “china”, it is a high-fired, translucent, and vitrified ceramic material that is hard to scratch, more expensive and more durable than other type of pottery. Porcelain is usually hand painted, displaying landscapes, flower motifs, and human activities. The art and technique of processing porcelain was developed and improved in China. During the Sun Dynasty, porcelain was painted for the first time, but it wasn’t until the 17th century that chinaware was finally acknowledged as an artistic manifestation. Europe saw the first porcelain sets in the 17th century, brought by Portuguese sailors, which were sold at incredibly high prices, often for an equal weight in gold. Authentic porcelain comes from a few rare families that can easily be distinguished from the rest through their perfect bodies, thermal resistance, translucent glow, and talented paintings in brilliant colors. During their five centuries of existence, white porcelain underwent numerous transformations.

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History[ edit ] Woodside centre on an Ordnance Survey map Woodside was originally built in the s for Henry VIII ‘s surgeon, the site chosen so that the occupant could be summoned by an emergency flag flown at Windsor Castle. By Hammersley had rebuilt the house in the fashionable Gothic revival style and laid out extensive plantings of shrubberies and flower gardens around the property.

Robins’s paintings are the only evidence for the composition of Woodside’s gardens in the 18th century. According to the guide, the house was built during the reign of King George II. The advertisement described a “substantial mansion of the Elizabethan style of architecture” situated in a small park “studded with venerable old oaks and other valuable timber”. A fire at the house in April considerably damaged woodwork and paneling dating back to the time of James II, and a ‘large and historic old fireplace’ had to be demolished to make way for the fire services.

To arrive at a stylistic chronology in the rendering of facial features of people in porcelain decorations, the author has collected and categorized more than faces of men, women and children in Chinese porcelain decorations, dating from the 16th century until the present day.

The elaborately-decorated 18th century vase was found during a routine clear-out. What neither owner nor auctioneers banked on was the incredible interest from the Chinese market in buying back its relics, at any price. When news of the find broke in the antiques world, the small auction house was inundated with queries from all over the globe.

The auction at Bainbridges right went on for half-an-hour, leading to the owners being taken out suffering from shock The vase is from the Qianlong period, when the production of intricately designed china was at its peak, and the Emperor, who ruled from to , was an avid connoisseur of art. The bottom of the inch high vase, thought to have been made in the s, is marked with the Imperial seal. The elaborately decorated and enamelled body, exquisitely painted in pastel yellow and blue, contains an inner vase that can be viewed through the perforations.

Helen Porter of Bainbridges said: This must be one of the most important Chinese vases to be offered for sale this century. It is a piece of exquisite beauty.

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Dating Chinese Porcelain from Facial Features and Adornments – A HANDBOOK by Tommy Eklöf and a great selection of similar Used, New and Collectible Books available now at

Basemarks on Jiangxi Porcelain Company pieces There are a great many base marks on Jiangxi Ciye Gongsi porcelains, reflecting a dating and quality hierarchy, and also a shape and decoration type. Some, if authentic, indicate an early dating — these are the handwritten underglaze blue in 2 columns like a reign mark or in 2 rows but with double underglaze blue circles — see 2a.

There may well be more to add in the future. Of course, these are broad types and do not take into consideration all the different forms of calligraphy or stamps. You will see all the different actual marks in the examples shown at the end of this part of the report, and at the end of all the other parts as well. It should be noted that the most common mark is an underglaze blue with no double circle, followed very closely by the overglaze red stamped marks, handwritten ones are a bit less common.

A few of the marks are very rare, with only one or two examples found so far. Underglaze Blue marks, all handwritten 2a. These marks are rare. In addition, double underglaze blue circles surround the mark.

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Types[ edit ] A basic distinction is between sculpture in the round, free-standing sculpture, such as statues , not attached except possibly at the base to any other surface, and the various types of relief , which are at least partly attached to a background surface. Relief is often classified by the degree of projection from the wall into low or bas-relief , high relief , and sometimes an intermediate mid-relief.

Sunk-relief is a technique restricted to ancient Egypt. Relief is the usual sculptural medium for large figure groups and narrative subjects, which are difficult to accomplish in the round, and is the typical technique used both for architectural sculpture , which is attached to buildings, and for small-scale sculpture decorating other objects, as in much pottery , metalwork and jewellery. Relief sculpture may also decorate steles , upright slabs, usually of stone, often also containing inscriptions.

I have used Tommy Eklof’s book “Dating Chinese Porcelain from Facial Features and Adornments A Handbook” to date this pot in that it is not marked. The pot’s origin is in California where it was in a collection for many years.

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The way a base of a vessel is cut, finished and glazed changes throughout the dynasties, so looking at bases can help enormously with dating and authentication. Potters who are trying to fake ceramics often may not have an original example to look at, relying instead on photographs in auction catalogues or books that do not feature the bases.

A ding white-glazed melon-shaped ewer, Five Dynasties-Northern Song dynasty

Dating Chinese Porcelain from Facial Features and Adornments Eklof, Tommy. Verlag: One Digitaltryck, Karlstad, Softcover. New. pages, illustrated in colour. A handbook for dating Chinese porcelain from facial features and adornments for museums, collectors and dealers alike. women and children in Chinese porcelain decorations.

Any handling at all of any items may permanently harm or destroy them; let alone any use of chemicals. Any materials and methods can be harmful and dangerous towards any items as well as humans and other living beings. Use outmost care when handling anything of value and always consult with professionals when in doubt. Please be advised that any actual use of the information found here are solely on your own risk and responsibility.

You are explicitly asked to use your own good judgment before coming to any conclusions on your own and in all instances consult with professionals that can study any object under discussion in person before making any financial or other decisions. By accessing the information offered here you acknowledge that this disclaimer is read and understood and that you expressly agree that any use of this Discussion Board and related web pages or links is at your own risk.

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Regarding weight, I don’t put a lot of stock in it for dating purposes that didn’t sound right, lol. I have pieces from each period that are extremely light and delicate, and others that are very heavy and substantial feeling. Almost all Canton Enamel is copper, and I see quite a bit of variation in thickness of metal as well as thickness of the enamel substrate.

The literature tends to say that the earlier stuff is heavier, but as a general rule I don’t think it’s correct.

pages. A handbook for dating Chinese porcelain from facial features and adornments for museums, collectors and dealers alike. To arrive at a stylistic chronology in the rendering of facial features of people in porcelain decorations, the author has collected and categorized more than faces of men, women and children in Chinese porcelain decorations, dating from the 15th century until.

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Royal Worcester Marks were first placed on pottery and porcelain in but it was before it became common place. Earlier Worcester Marks are rarely seen, and typically the crescent mark dates pieces to the Dr Wall period before But pieces bearing the crescent mark are rare and usually the provence of specialist collectors. In the late s Worcester were among the first to use the Bute shape for teabowls, tea cups and coffee cups.

The presence of the crescent mark dates these items to the Dr Wall period and they are all very similar in shape, size and decoration to those made in the same period by Caughley. See our early worcester for sale section for examples of sparrow beak jugs, Bute cups and Dr Wall period pieces.

A handbook for dating Chinese porcelain from facial features and adornments for museums, collectors and dealers alike. To arrive at a stylistic chronology in the rendering of facial features of people in porcelain decorations, the author has collected and categorized more than faces of men, women and children in Chinese porcelain.

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£53m Chinese vase was kept on wobbly bookcase and insured for just £800

Collecting Antique Chinese Porcelain – an introduction To find more info about anything mentioned here, kindly try the site search or glossary for the keywords you are looking for Two major groups – “Chinese taste” and “Export wares” When looking at “Chinese Porcelain” as a whole, I feel it helps to first of all consider that most of it easily could be divided into two major groups – “1.

Chinese market porcelain” and “2. Chinese taste This is generally speaking all porcelain made primarily for the Asian market. This could be divided into:

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What Chinese marks are good for An exception are marks bearing a date of the cyclical year calendar, but these were very few. Thus, reign marks also cannot be relied on for dating. More often than not they are not of the period. The majority of all marks encountered on antiques are reign marks. The above is especially true with export porcelain. Export porcelain showing Kangxi and Qianlong reign marks four character marks were mainly made during the late Qing dynasty, namely the Guangxu reign, and the early republic.

Dating Chinese Porcelain Presentation 3:1 Case study 1


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